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Upcoming shows: Lilly Hiatt... Josh Rouse... Honeyfeet... KAZE... Slug... Steven Adams & The French Drops... Pinkshinyultrablast... The Happy Soul... Sounds From The Other City 2018... Wreckless Eric... Simone Felice... Barrence Whitfield and The Savages... Poppy Ackroyd... Pete Astor... I’m With Her... Ari Roar... Chad Valley... The Once... Wussy... The Breath... Aidan Moffat & RM Hubbert... Alabaster DePlume + Paddy Steer... The Bonnevilles... Charles Howl... GospelbeacH... Charles Watson... Curse of Lono... Slim Cessna’s Auto Club... Born Ruffians... Beach Skulls... The Wave Pictures... Girls Names... Darren Hayman... The Burning Hell... The Weather Station... La Luz... Ólafur Arnalds... Terry Riley & Gyan Riley... Holy Moly & The Crackers... Ryley Walker...

When: 7.30pm on Thursday 29 November 2018
Where: Band on the Wall, 26 Swan Street, Manchester M4 5JZ

We’re delighted to be working with Ryley Walker again – this time, at Band on the Wall!

Released on 18 May via Dead Oceans, Deafman Glance is the second Ryley Walker album produced by LeRoy Bach and Walker himself. It was largely recorded at the Minbal (now JAMDEK) Studios in Chicago. Some later sessions also took place at USA Studios and in LeRoy’s kitchen. Cooper Crain (Bitchin’ Bajas, Cave) recorded and mixed the album, as well as adding his shimmering synths all over it.

Ryley plays electric and acoustic guitars, and was joined by long-time six-string sparring partners Brian J Sulpizio and Bill Mackay, who both play electric. LeRoy Bach also plays some electric guitar, while adding all piano and other keys. Andrew Scott Young and Matt Lux play bass – Andrew supplying some double-bass, both of them played electric. Drums and percussion are handled by Mikel Avery and Quin Kirchner. Topping off this list of notorious Chi-Town players is Nate Lepine, who added a lot of flute and a little saxophone too.

Ryley says of Deafman Glance:

‘I think more than anything the thing to take away from this record is that I appreciate what improv and jamming and that outlook on music has done for me, but I wanted rigid structure for these songs. I don’t want to expand upon them live. There’s a looseness to some of the songs I guess, but I didn’t want to rely on just hanging out on one note.

‘I was under a lot of stress because I was trying to make an anti-folk record and I was having trouble doing it. I wanted to make something deep-fried and more me-sounding. I didn’t want to be jammy acoustic guy anymore. I just wanted to make something weird and far-out that came from the heart finally. I was always trying to make something like this I guess, trying to catch up with my imagination. And I think I succeeded in that way — it’s got some weird instrumentation on there, and some surreal far-out words. And it’s more Chicago-y sounding. Chicago sounds like a train constantly coming towards you but never arriving. That’s the sound I hear, all the time, ringing in my ears.’

This is a 14+ show. Under 16s must be accompanied by an adult.

Buy tickets now. Tickets are available from Band on the Wall’s box office (no booking fee), Vinyl Exchange, Ticketline.co.uk, Wegottickets.com and on 0871 220 0260.

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All shows are 18+ unless otherwise stated.

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