Hey! Manchester promotes gigs by folk, Americana and experimental bands from around the world in Manchester, England. Read more here, see below for our latest shows, check out our previous shows, contact us, or join our mailing list, above.

Upcoming shows: Erin Rae... Ye Vagabonds... The Cords + Josie... Frankie Archer... Chloe Foy... Grant-Lee Phillips... Allo Darlin’... Robert Forster... Jeffrey Lewis & The Voltage... Martha Tilston... Severe Girls... Vega Trails... Gwenifer Raymond... Kathryn Williams... Marouli... Lilly Hiatt... Withered Hand... Constant Follower... The Lovely Eggs... Tulpa... Albertine Sarges... Sinead Una... Jamie Duffy... Joep Beving... Admiral Fallow... Willy Mason... The Unthanks... BC Camplight... Holysseus Fly... Gustaffson... Penguin Cafe... Junior Brother... Will Varley... Yoshika Colwell... Ríoghnach Connolly & Honeyfeet... Jesca Hoop... Jeffrey Martin... Jim Moray... The Unthanks... The Dream Syndicate... Dominie Hooper... Simeon Walker... The Besnard Lakes... The Dears... Eydís Evensen... Jens Lekman...

When: 7.30pm on Wednesday 1 October 2025
Where: Gullivers, 109 Oldham Street, Manchester, M4 1LW

We’re delighted to be working with Erin Rae for the first time!

Nashville singer/songwriter Erin Rae and her group the Meanwhiles emerged in 2012 with a sound rooted in dreamy indie folk, Americana, and ’70s pop/rock. Rae issued her minimalist solo debut, Putting on Airs, in 2018, followed in 2022 by the dynamic, retro-pop, and country-leaning Lighten Up.

Born and raised in Jackson, Tennessee, Erin Rae McKaskle grew up in a musical home. Her family eventually relocated to Nashville, and it was there that Rae picked up her first six-string and began writing songs.

Influenced by distinctive roots music artists like Bobbie Gentry, Lee Hazlewood and Don Williams, she formed Erin Rae & the Meanwhiles in the early 2010s. The group issued their debut EP, Crazy Talk, in 2011, followed by their well-received first full-length effort, Soon Enough, four years later. Rae dropped the Meanwhiles ahead of the arrival of her sophomore effort, 2018’s Putting on Airs.

Her first outing for John Paul White’s Single Lock label, the LP earned acclaim for its catchy melodic turns and intimate ruminations on life, love, and loss. In 2021, Rae enlisted producer/artist Jonathan Wilson (Father John Misty, Billy Strings) to help deliver her most vibrant set of songs to date. Released the following year, Lighten Up added elements of light psychedelia, indie pop, and cosmic country to Rae’s sonic arsenal. Rich Man, a bonus track from those same sessions, was issued later that year as a single.

Erin will be backed by the Hollow Hand band. Hollow Hand is a richly textured, DIY-spirited project led by Max Kinghorn-Mills, blending psych-pop, folk-rock, and pastoral melodies with a deep sense of personal freedom and imagination. While primarily crafted solo, Hollow Hand’s latest record, Your Own Adventure, features contributions from admired collaborators like Tim Smith, Spencer Cullum, and Holly Macve, adding subtle depth without compromising its introspective, exploratory core.

Tour support comes from maví lou – the solo project of French singer-songwriter and multi-instrumentalist Louise Hayat. Born in Paris and raised in Martinique, maví lou first gained recognition as one half of indie pop duo The Dove & The Wolf, with whom she toured extensively across the US, Canada, and Europe. After several years in Philadelphia and Nashville — collaborating with artists such as Natalie Prass, Faye Webster, and Grammy-winning band The War On Drugs (A Deeper Understanding) — she returned to Paris in 2021 to carve out a creative space of her own, away from the current, closer to the source.

She released her debut EP Grapefruit Meditation in 2024, a fully self-produced record exploring the space between poetry, analog warmth, and digital atmospheres. For this tour, Maví Lou returns to the essence of her songs in a stripped-down solo set with classical guitar, seeking a more direct, intimate connection with the audience.

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When: 7.30pm on Thursday 2 October 2025
Where: YES Pink Room, 38 Charles Street, Manchester, M1 7DB

PLEASE NOTE: This show has now sold out!

We’re excited to welcome Ye Vagabonds back – this time, to YES, with guest JFDR!

Brothers Brían and Diarmuid Mac Gloinn – aka Ye Vagabonds – grew up playing music together around their hometown of Carlow, a small town in the southeast of Ireland. After moving to Dublin in 2012, they quickly became a staple of the live music and session scene in Ireland, playing their own original songs as well as folk songs from Ireland, Scotland, England and America.

In 2014 they came to the attention of Arbutus Yarns’ music filmmaker Myles O’Reilly, whose videos gained international attention for the brothers for the first time.

After a chance meeting at Electric Picnic in September 2015, the brothers performed onstage with Glen Hansard, who invited them to open for him on his European tour the following October.

Their debut EP Rose & Briar was released in October 2015. Following that, they were busy touring Ireland, the UK and Europe, opening for acts such as Villagers, Roy Harper and Lisa Hannigan (whose band they played in for her Irish tour in June 2016). They have played sold out headline shows in Ireland, France, Switzerland and the UK.

They have made numerous television and live radio appearances in Ireland, and were also part of Imagining Home, a live broadcast concert in the National Concert Hall of Ireland, 2016, curated by Glen Hansard, Philip King and Gary Sheehan.

In October 2017 they launched their debut, self-titled album to great acclaim. Ye Vagabonds comprised of harmony rich folk music, influenced by Irish traditional music, Appalachian singing, and the 1960s folk revival. It included ten mellow tracks weaved with thoughtful lyrics, thickly layered with strings and droning harmonium.

Their second album The Hare’s Lament was released in March 2019 to huge critical acclaim. In 2019 they won the BBC Radio Two Folk Award for Best Traditional Track, and they swept the boards at the RTÉ Radio One Folk Awards where they won Best Traditional Track, Best Group, and Best Album.

A long-awaited EP came out in January 2020 featuring two tracks, I’m A Rover and The Bothy Boys, again released on Rough Trade Records’ imprint River Lea, and once again they swept the boards at the RTÉ Radio One Folk Awards where they now hold the record for most awarded artists, winning Best Traditional Track and Best Group.

Their new album Nine Waves was released on River Lea label in May 2024.

Nine Waves was recorded in the Dublin Mountains at Hellfire Studios, produced by John ‘Spud’ Murphy (whose previous work includes records by black midi, Lankum and caroline). The album features 11 tracks of both traditional and original songs and tunes. The brotherly harmonies and multi-instrumental abilities of Dairmuid and Brían Mac Gloinn were joined on Nine Waves by Kate Ellis (cello) and Caimin Gilmore (double bass), both members of the Irish contemporary classical group Crash Ensemble, and Ryan Hargadon (Anna Mieke, Rachael Lavelle, Kojaque) on piano and saxophone. The record also features concertina from Cormac Begley and harmonium from regular touring member of Ye Vagabonds, Alain McFadden.

‘Reflective and reverent, with Nine Waves Ye Vagabonds prove once again to be at the forefront of an ever-evolving, flourishing Irish folk scene and have done so in the most understated and inspired fashion imaginable’ – Folk Radio

Special guest is JFDR – aka Jófríður Ákadóttir, a musician and film score composer from Iceland.

This show is a co-promotion with Please Please You and the Brudenell.

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When: 7.30pm on Friday 3 October 2025
Where: Kamera at Lloyd & Platt, 617 Wilbraham Road, Chorlton, Manchester, M219AN

PLEASE NOTE: This show has now sold out!

We’re delighted to working with both The Cords and Josie for the first time – for our first show at Kamera!

The Cords are the brightest new indiepop band from Scotland. Comprising sisters Eva and Grace Tedeschi, they started playing drums when they were little kids. They found that they liked 80s and 90s indie music more than their peers did, and so formed a band, just the two of them, with Grace on drums and Eva on guitar – and the songs started to flow.

With only a cassette and a flexi single released so far (both of which sold out in a matter of hours), Eva and Grace honed their skills by playing a whole series of gigs with some of the biggest names in Scottish pop. Their first show was with The Vaselines, and since then they have played with Camera Obscura, Belle and Sebastian, BMX Bandits and others, while also sharing stages with the new generation of indiepop stars: the Umbrellas, Chime School, Lightheaded. They are embraced by established stars and adored by their contemporaries.

The Cords were invited to record a session for Riley and Coe on 6 Music on the back of their early releases, and have now recorded their eagerly-awaited debut album, which will be co-released by Skep Wax (in the UK and Europe) and Slumberland Records (in America). Like all great pop bands, The Cords have taken familiar ingredients and created something utterly fresh. Older indie fans will hear echoes of The Shop Assistants, The Primitives, Tiger Trap and Talulah Gosh, but they will hear something else too: a yearning, dreamy melodic power that takes the songs into darker, stranger places.

Younger pop fans won’t care about these old reference points: what they will hear is the sound of two young women doing something utterly exciting: playing loud guitar and loud drums, taking analogue instruments and hitting them hard in the service of immediate and infectious pop tunes, and not giving a second thought about the digital world that wants to own everything we do. The Cords sound free: they remind us that pop music, played right, is expressive, liberating, joyful and deeply personal.

First single Fabulist is a sweet and catchy pop song that races along, so headlong and hooky that, on first listen, you could miss the fact that it’s a wholehearted take-down of people who lie for a living.

Josie is Copenhagen’s newest pop group, formed in 2023 and consisting of four friends, Charlotte, Dawn, Martin and Anton. Originally a trio, they recorded an early demo before Anton joined on drums, solidifying their lineup and setting the stage for their debut album.

Their debut album, A Life on Sweets Alone, is set to be released on the legendary K Records and Perennial, delivering a raw and infectious mix of jangle, wistfulness and attitude.

Josie blends poetic yet relatable lyrics with a rough-edged pop-punk sensibility. Fans of Talulah Gosh, Shop Assistants and Tiger Trap will feel right at home in Josie’s world, where dreamy melodies and jangly guitars meet woozy vocals but retain the genres original punky ‘fuck you’ energy and propulsive rhythm section.

Kamera is the brand new venue upstairs at Lloyd & Platt (formerly The Lloyd’s) in Chorlton – by the team behind the Castle Hotel and Gullivers.

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When: 7pm on Saturday 4 October 2025
Where: Low Four Studio, Deansgate Mews, Great Northern, Manchester M3 4EN

We’re delighted to welcome Frankie Archer back to Manchester!

Feminist electrofolk musician and producer and Guardian ‘One to Watch’ Frankie Archer releases new single The Demon Lover and announces a UK 13-date intimate tour.

The Demon Lover speaks of lust and sin and motherhood, and the binary split between the pure wife and the whore. Frankie takes this new, boundary-smashing music on an exclusive small-venue UK tour this October.

Frankie Archer’s imaginative and bold mash of electro alt-trad shows her deep love of electronic and experimental music and her Northumbrian roots. Mark Radcliffe (BBC Radio 2) described her music as ‘fascinating and intoxicating’.

Her unique, fresh sound has pricked up the ears of fans and press, being featured in the Guardian, Bandcamp Best Of, Amazing Radio Tips for 2024, NME New Bangers, earning wonderful reviews from Clash Magazine, Tradfolk and Fresh on the Net, and being chosen by Fatea for their Showcase Session.

Winner of the Christian Raphael Prize, Frankie has been featured on Later… With Jools Holland, BBC Proms, BBC Glastonbury coverage, BBC Radio 4 Woman’s Hour, and championed by tastemakers at BBC Radio 2, 3 and 6 Music. She has supported the likes of The Futureheads and The Last Dinner Party. With her unique tech-infused live set turning heads wherever she goes, Frankie is quickly establishing herself as one to watch in the alternative space.

Special guest is Satnam Galsian. Satnam Galsian is a British Asian singer-songwriter and progressive folk artist from Leeds, whose music blends the rich tradition of Punjabi folk with contemporary, feminist storytelling. Through her distinctive sound, Satnam reimagines the vibrant narratives of her heritage, responding to traditional Punjabi songs through a modern and empowering lens. Her songs are deeply rooted in her personal experiences, drawing on her own journey of identity, belonging, and empowerment. With themes that centre around women’s stories, Satnam explores the complexities of navigating multiple cultural worlds and the strength that comes from embracing one’s true self.

In addition to her solo work, Satnam is part of Kinaara, a cross-genre trio that blends Punjabi folk songs, original compositions, and Celtic music. The band’s unique fusion of diverse musical traditions brings a fresh, dynamic energy to the folk scene, with their performances resonating deeply with audiences across cultural boundaries. With two self-released EPs, Fragmented Truth and Sahiban, Satnam has begun to carve out her own space in the folk music scene.

This show takes place at Low Four – a recording studio situated on Deansgate Mews in the Great Northern warehouse, which features a fully stocked Cloudwater bar.

This is a 14+ show. Under 16s must be accompanied by an adult.

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When: 7pm on Saturday 11 October 2025
Where: Low Four Studio, Deansgate Mews, Great Northern, Manchester M3 4EN

We’re delighted to welcome Chloe Foy to Low Four – with special guest Toria Wooff!

With her strikingly beautiful voice and emotionally direct songwriting, Chloe Foy has a penchant for finding magic in the spaces between light and dark. Growing up in the quiet of the English countryside, it was through music that she first learned how to express the nuance of emotion. Her songs are a reflection of that stillness, woven with threads of vulnerability and longing. Her lyrics speak to the complexity of the human experience — love, loss, and the subtle daily battles we all fight. With a voice that’s as delicate as it is powerful, she creates music that speaks to the heart.

Chloe Foy introduced herself to the world with her 2021 debut, Where Shall We Begin. A rich and meticulously put together debut, the album received rave reviews from the likes of The Sunday Times, Clash and The Line of Best Fit. Tracks from the album regularly featured on BBC 6 Music, with support coming from Guy Garvey and Radcliffe & Maconie. With the album charting in the UK Folk Chart Top 40, Chloe truly cemented herself as an artist that flies the flag for the independent singer-songwriter with skill and finesse.

Chloe’s anticipated follow up Complete Fool, due 6 June via Kartel Music Group, captures a deepened, richer sound; merging rock-tinged folk with classic strings and layered vocals that she is becoming known for.

Complete Fool explores real love and puts a microscope to the finer details of what it means to love long-term. The album isn’t afraid to ask difficult questions. What is the cost of a long-term relationship? How do you balance divergent ambitions and priorities? Do we lose parts of ourselves in the process of falling in love? The answer lies in this beautiful, poignant, yet celebratory tribute to real life and real love.

‘It’s rare that an album is ten years in the making, and honing that much emotion and experience into roughly 41 minutes is a monumental task. Chloe Foy accomplished it’ – CLASH

‘A collection of great intimacy and tenderness” – Uncut

Special guest is Toria Wooff. Finding splendour in shadows, Toria Wooff (Tor-ee-a Woo-f) sings tales of the beautifully strange. Her beguiling self-titled debut album featuring ghostly folk ballad The Waltz of Winter Hey and pained Americana Lefty’s Motel Room has already been championed by the likes of Uncut, Clash, Shindig, Record Collector, BBC 6 Music and Radio X and as the record takes listeners deeper into her bittersweet world, it’s only a matter of time before countless others will fall under her spell.

This show takes place at Low Four – a recording studio situated on Deansgate Mews in the Great Northern warehouse. This intimate venue features a fully stocked Cloudwater bar.

This is a 14+ show. Under 16s must be accompanied by an adult.

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When: 7.30pm on Saturday 11 October 2025
Where: Hallé at St Michael’s, 36-38 George Leigh Street, Ancoats, Manchester M4 5DG

We’re excited to welcome Grant-Lee Phillips back to Manchester!

This year, Grant-Lee Phillips will release his 12th solo album, the self-produced In the Hour of Dust. It’s a work that doesn’t shy away from the big themes of contemporary life. ‘The mood on this album is contemplative,’ says Phillips, ‘trying to find meaning in an age of confusion, feeling your way through the blinding dust of unreality.’ In the Hour of Dust is also a highly intimate affair; both in its musical presentation and the highly personal – often autobiographical – lyrics in the songs, all set, the songwriter admits, ‘against this larger discordant backdrop’.

Audiences first discovered Phillips’ thoughtful, literate songwriting in context of the rock band Grant Lee Buffalo, a trio which found success with the 1993 debut Fuzzy. The title track catapulted the group to international recognition. Grant Lee Buffalo followed up Fuzzy with 1994’s Mighty Joe Moon (an album featuring the modern rock hit Mockingbirds) etching a distinct mark, while transcending the era.

Beginning with his 2000 solo debut Ladies’ Love Oracle, Phillips opened another chapter in his career, as a folk- and Americana-focused artist crafting songs and stories rich with details and humanity. At this precise moment, Phillips was invited to join the cast of a burgeoning television series. The Gilmore Girls would enjoy lasting syndication and multi-generational embrace, introducing Phillips, ‘the Town Troubadour’ to a new audience.

Phillips is often on the road, performing to eager fans throughout the US and overseas. With the release of In the Hour of Dust in September 2025, concert dates are planned for the US, UK, Europe and other regions to follow. Look for Grant-Lee Phillips on tour in your area, performing songs from his new album, In the Hour of Dust, along with favorites from throughout his long career. Phillips reflects: ‘I don’t see songs of love and songs of protest as being so far apart, really. It’s all about recognising the value of connection in a disconnected time.’

Please note that this is ‘an evening with Grant-Lee Phillips’, with no support act.

This concert takes place in Hallé at St Michael’s – a former Roman Catholic church, which was founded in 1859 and became the heart of the Little Italy Community in Ancoats. This show is sold as unreserved seating.

This is a 14+ show. Under 16s must be accompanied by an adult.

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When: 7pm on Saturday 11 October 2025
Where: Band on the Wall, 26 Swan Street, Manchester M4 5JZ

PLEASE NOTE: Due to exceptional demand, this show has been upgraded to Band on the Wall. Original tickets are valid and all other details remain the same. Additional tickets are now available.

We’re excited to be welcoming Allo Darlin’ back – for their first Manchester show in over 10 years!

Allo Darlin’ were formed in 2008 after Australian Elizabeth Morris arrived in London and bought a ukulele from the Duke of Uke shop in Shoreditch. Like a whole host of Australian musicians before her, Morris had headed to London to realise her musical ambitions, a young woman with the small instrument in the big city with even bigger ideas. Once there happenstance, chance encounters and a Bruce Springsteen cover for a compilation would all conspire to create the crack squad that has endured, Morris being joined by fellow Brisbanite Bill Botting and the British duo of Michael Collins and Paul Rains.

From its first line (‘Will you go out with me tonight, lose it on a disco floor?’), the self-titled debut the foursome released in 2010 fizzed with the effervescent, intoxicating energy and excitement of the opportunities and experiences it offered. From frosty night buses through to fiscal inadequacy and everything in between, it was an album which presented the city as a blank canvas where everything was fair game for romanticising and celebrating, and a world where most of life’s tribulations could be solved with the warm embrace of a loved one. Fresh, bright and unashamedly hopeful and idealistic, blissful exuberance ran through it like the sound of a band in love with being in a band.

Writing in his 1,200-word essay on the album for Australia’s The Monthly (later featuring in his writing compilation Ten Rules Of Rock And Roll), former Go-between Robert Forster suggested that the band ‘now have doors open before them’. Thus follow-up Europe could be viewed as the album The Go-Betweens dared them to make, culminating in the sparkling pop perfection (and throwback to Morris’ native Queensland) of lead single Capricornia. Their sophomore effort simultaneously looked at the Europe of her present alongside the Australia of her past, offering a stunning reflection on belonging and sense of place and a band at their most dazzlingly technicolour that built on the eagerness and immediacy of the debut with contemplation, sophistication and ambition.

Successor, 2014’s We Come From The Same Place dwelt on belonging in terms of new beginnings and documented Morris’ journey into a new chapter in her life, resulting in an album that saw her flit between the uncertainty of starting anew and post-resettlement confidence.

Allo Darlin’s songs work because, to borrow from Don Draper’s Kodak Carousel pitch in Mad Men, they take us to a place where we feel loved. Emotional trust falls, they often take us to parts of ourselves we’ve either suppressed or have yet to discover and then are always there to catch us if and when we get there.

‘Breezy rom-pop brilliance’ – NME

‘Classic indie pop… doesn’t rewrite the formula for wistful bedsit charm as much as show that it can still be carried out masterfully’ – Pitchfork

‘A masterclass of modern cult pop’ – the Guardian

‘Terrific, witty and heartfelt, like a less moody Belle & Sebastian’ – The New York Times

Local support comes from Juice Pops. Bubbling, hyperactive, and chaotic in equal measure, Juice Pops have been a staple of the Manchester scene since 2018. Their latest full-length album, Living Books, is set for release in Autumn 2025 and sees the band incorporating more eclectic styles into their oeuvre. Winding its way through windy worlds of playful energetic guitar pop, to progressive rock, verging on the avant blues, via some forays into post-hardcore, emo and psychedelia, the album nevertheless stays true to their sunshine indie pop roots.

This show is for ages 10+. Under 16s must be accompanied by an adult.

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When: 7.30pm on Monday 13 October 2025
Where: Band on the Wall, 26 Swan Street, Manchester M4 5JZ

We’re excited to be welcoming Robert Forster back – this time, to Band on the Wall, with His Swedish Band.

Robert Forster is a Brisbane based singer-songwriter and author. In 1978, with Queensland University friend Grant McLennan, he co-founded the acclaimed pop/rock band The Go-Betweens. The group, based in London for five and a half years, recorded six albums, toured extensively, before breaking up in late 1989.

In the 1990s, while living in Brisbane and Regensburg, Germany, Forster recorded and toured three solo albums of original material: Danger In The Past (1990); Calling From A Country Phone (1993); and Warm Nights (1996). He also released an album of his favourite songs by other artists called I Had a New York Girlfriend (1994).

In 2000, reunited with Grant McLennan, The Go-Betweens recorded their seventh album, and would record two more albums, one of which, Oceans Apart, was awarded the ARIA (Australian Recording Industry Association) Best Adult Contemporary Album of 2005.

On May 6, 2006, Grant McLennan’s passed away at the age of 48.

From 2005 to 2013, Forster was the music critic for Australian politics and culture magazine The Monthly. He won the Pascall Prize for Arts Criticism in 2006, and a collection of his music writings was published in 2009, titled, The Ten Rules of Rock and Roll.

In 2015, Forster received an Honorary Degree of Doctor of Letters from Queensland University. The following year, his memoir, Grant & I, was published, winning the Book Of The Year award in Mojo and Uncut in 2017. His memoir was also translated and published in Italian and German.

Between 2007 and 2023, Forster recorded four albums of original material: The Evangelist (2008); Songs To Play (2015); Inferno (2019); and Candle And The Flame (2023).

In 2025 he returns with Strawberries: ‘I am enormously excited to be touring with a rock band again,’ Forster says. ‘The first time in six years. And not just any rock band – there are the genius Swedish players from my new album Strawberries, recorded in Stockholm. I love the album and I wanted to bring the group with me out on the rock and roll highway. We are wanting to impress.’

This is a 10+ show. Under 16s must be accompanied by an adult.

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When: 7.30pm on Tuesday 14 October 2025
Where: Band on the Wall, 26 Swan Street, Manchester M4 5JZ

We’re excited to be welcoming Jeffrey Lewis & The Voltage back – this time, to Band on the Wall.

The mind-spinning indie-rock/folk/art of Jeffrey Lewis & The Voltage developed when songwriter and comic book artist Jeffrey Lewis began recording homemade cassettes in New York City in 1998; his critically acclaimed, unusual and word-dense songs lead to Jeffrey signing to Rough Trade Records in 2001 (record label of The Smiths, The Strokes, etc), and the project evolved into a live touring cult sensation around the world. Creating a brilliant style of scuzzy urban indie-rock-folk, like a 21st Century mash-up of Sonic Youth, Pete Seeger and R. Crumb, Jeffrey’s band has played countless gigs all over the world, including playing as the opening act for icons like the Mountain Goats, Daniel Johnston, Stephen Malkmus & The Jicks, Dinosaur Jr, The Fall, Dr. Dog, Pulp, Roky Erickson, The Vaselines and more.

The forthcoming new album The EVEN MORE Freewheelin’ Jeffrey Lewis (March 21, 2025) was recorded in Nashville by Roger Moutenot (Yo La Tengo, Lou Reed), the same producer as their previous official album Jeffrey Lewis & The Voltage: Bad Wiring, which was released in Nov 2019 (to rave reviews).  Between 2019’s Bad Wiring and the upcoming 2025 album Jeffrey digitally self-released five DIY albums from his apartment (spawned by the pandemic-pause on normal touring and recording). With or without bandmates Jeffrey continues to wring folksy spiel and garage bohemianism from his ramshackle guitar, while incorporating his often politically subversive visual artwork and cartoons into live appearances.

The current four-piece touring line-up of Jeffrey Lewis & The Voltage includes Mallory Feuer on violin and keyboard, Kait Pelkey on bass and Brent (Moldy Peaches) Cole on drums.

‘Jeffrey is the best pure songwriter I know of… ‘Sad Screaming Old Man’… is one of my favorite songs ever written’ – David Berman (Silver Jews)

‘Jeffrey is the only artist I’ve sent fan mail to’ – Jens Lekman

‘Really great and impressive and inspiring and exciting… There’s not a lot of people that can tell a story and use language like that in music’ – Will Oldham

Tour support comes from London/Sheffield septet Sergeant Buzfuz.

This is a 10+ show. Under 16s must be accompanied by an adult.

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When: 7.30pm on Thursday 16 October 2025
Where: Hallé at St Michael’s, 36-38 George Leigh Street, Ancoats, Manchester M4 5DG

We’re excited to welcome Martha Tilston back to Manchester – to St Michael’s this time.

With a pure silken voice and lyrics that inspire and captivate, Martha Tilston has developed a successful musical career with a large and loyal following. She has performed on some of the world’s most prestigious stages and festivals, recorded and released several critically acclaimed albums, gained a nomination for BBC best newcomer, appeared as a guest vocalist for Zero 7, toured internationally and worked with the some of the world’s most inspiring performers including Damien Rice, Nick Harper, Kae Tempest, Roddy Frame (Aztec Camera) and Zero 7.

The past few years have seen Martha venture into the world of film making, gaining nominations for best arts film for The Clifftop Sessions and recently releasing her first feature film (with an accompanying soundtrack album) – The Tape – which is garnering much praise and excitement. With her long-time collaborators and musicians Matt Tweed and Matt Kelly, among others, they entwine raw vocals, sparkling melodies and thought-provoking lyrics with filmic movements and earthy baselines. To see them live is to connect with longed-for parts of ourselves.

‘Sharp, original songs that dissect the modern world. She captures both the harshness and enchantment of life’ – the Guardian

‘She has the power to draw an audience into her world, leaving all those present with a smile, and a few issues to ponder, too’ – Time Out

This concert takes place in Hallé at St Michael’s – a former Roman Catholic church, which was founded in 1859 and became the heart of the Little Italy Community in Ancoats.

This is a 14+ show. Under 16s must be accompanied by an adult.

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All shows are 18+ unless otherwise stated.
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