Hey! Manchester promotes gigs by folk, Americana and experimental bands from around the world in Manchester, England. Read more here, see below for our latest shows, check out our previous shows, contact us, or join our mailing list, above.

Upcoming shows: The Weather Station... Tiny Ruins... Lithics... Mass Gothic... A Bingo Records Showcase... La Luz... Michael Nau... Horse Feathers... Haiku Salut... Wolfgang Flür... Mull Historical Society... Ólafur Arnalds... The Sonics... BC Camplight... You Tell Me... Terry Riley & Gyan Riley... The She Street Band... Milky Wimpshake... Dawn Landes... Halo Maud... Murray A. Lightburn... Steady Holiday... Daniel Brandt & Eternal Something... Funke and the Two Tone Baby... She Makes War... Say Sue Me... Jo Passed... Easter... Eleanor Friedberger... William the Conqueror... Hater... Jen Cloher... Robert Vincent... Blurt... The Lovely Eggs... HALEY... The Breath... Danny Goffey... Holy Moly & The Crackers... Saintseneca... Federico Albanese... Kiran Leonard... Ryley Walker... River Whyless... Still Corners... Great Lake Swimmers... Lera Lynn... Liela Moss... Saint Sister...

When: 7.30pm on Sunday 18 February 2018
Where: Soup Kitchen, 31-33 Spear Street, Manchester M1 1DF

We’re delighted to be welcoming Loney dear back – his first visit since 2012!

Swedish singer-songwriter and multi-instrumentalist Emil Svanängen makes records and plays shows under the enigmatic name of Loney dear. In the early 2000s, in his Stockholm apartment studio, Svanängen made a name for himself by creating homemade CDrs with a minidisk microphone and a home computer, self-releasing albums which by 2007 had pricked Sub Pop‘s ears and they released Loney Noir. Two more albums – Dear John and Hall Music – followed, as did glowing reviews in the Guardian, BBC, Drowned in Sound, Pitchfork and earlier this year the Line of Best Fit went as far as calling him a ‘brilliant genius’.

Loney dear has consistently crafted elegant, deeply stirring music, described by The Quietus as ‘the obsessive work of one man, albeit one that can sing with the vulnerable delicacy of an angel and makes bedroom recordings that sound like God’s own orchestra’. Multi-layered with instrumentation and Svanängen’s fragile yet irrepressible vocals, Loney dear’s songs bloom with a sense of both intimacy and openness, at once uplifting and heartbreaking, tenacious yet tender.

In 2017 Svanängen finds himself at something of a crossroads. His career, in many ways, has been as unique as his music. ‘I’ve been taking some strange roads. Basically, I have a really strange career and I have no idea where it’s going. Everything is always random because my career is so small and slow. I have had to learn to enjoy all the randomness of what I’m doing.’

After all these years in the music industry, Svanängen has reached a stage in which he is not striving to be loved, to be big, to be recognised or feels that he is deserving of more than he has. Above all, he feels emboldened and powerful simply by the new music he is making, as featured on his latest album. ‘I’m moving into a more bold state, I’m confident, powerful, I became a singer, I learned my darkness and discovered my magnetism.’

Loney dear’s eponymous seventh album is released on Real World Records on 29 September 2017.

‘An elegant, understated pop masterpiece’ – The Independent

‘Celestial mini-symphonies… conjure visions of a one-man Scandi version of Animal Collective’ – Uncut

‘On Loney dear, Svanängen has finally hit the perfect balance’ – Under The Radar

Tour support comes from AJIMAL. Fran O’Hanlon acquired the name AJIMAL in the aftermath of being caught up in Haiti following the 2010 earthquake. Following the release of debut album, CHILDHOOD, O’Hanlon has been working alongside Guy Massey (The Beatles, Spiritualised, Bill Fay, The Divine Comedy) on his sophomore release, due in early 2018.

Buy tickets now. Tickets are available from the bar (no booking fee), Piccadilly Records, Vinyl Exchange, WeGotTickets.comTicketline.co.uk and on 0871 220 0260.

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All shows are 18+ unless otherwise stated.

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