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Upcoming shows: Giant Sand... Melanie Baker... Sophie Hutchings... Jerron Paxton... Ghostly Kisses... Sounds From The Other City 2024... Francis of Delirium... The Buffalo Skinners... The Handsome Family... Robbie Cavanagh... Memorial... His Lordship... Florry... Bad Bad Hats... Dana Gavanski... Caoilfhionn Rose... The Lovely Eggs... James Yorkston... Rain Parade... Matthew and the Atlas... Gratis: Makushin... Lightheaded + Mt. Misery... Jake Xerxes Fussell... Andrew Wasylyk & Tommy Perman... Charlie Parr... Mock Tudors... Ryley Walker... Terry Reid... The Courettes... Tusks... Kris Drever... Erland Cooper... Pokey LaFarge... Skinny Lister... Emily Barker...

When: 7.30pm on Friday 22 March 2019
Where: St Philip’s Church, Encombe Place, Salford, M3 6FJ

We’re delighted to be welcoming back Kristin Hersh – this time, with her Electric Trio, to St Philip’s Church!

Kristin Hersh will be touring the UK in Spring 2019 with Rob Ahlers (50 Foot Wave) on drums and Fred Abong (Throwing Muses, Belly) on bass.

‘Sometimes the most subversive thing I can do musically is adhere to standard song structure, sometimes the creepiest chords are the ones we’ve heard before, twisted into different shapes, and sometimes a story is lived a thousand times before we can ride it like a roller coaster. Nothing wholly unfamiliar is gonna make you look twice. When you can describe a record as being “deceptively” anything, you’re hinting at the sociopathic nature of music. Something I love. Imagine truly buying your own sunshine and charm, but also your darkness and violence; the two sides of your psychology showing each other off in relief. Songs can do that…we can’t, really. Darkness we’ve seen. Dark sunshine? Still cool.

‘I usually play all the instruments on my solo records – essentially the sound of having no friends – but sociopaths can’t realise their potential without people to work out their grievances on and this record is a freakin’ sociopath. So I invited my friends to the party I wanted to hear. Not a live record but an alive record.

‘Because a lot of live records don’t sound live, just poorly recorded. And self-conscious musicians can’t let fly. I wanted to recreate the impact of a show. Unpretentious, with a muscular song body running through the room. This entailed seriously messing with both extremes of the sonic spectrum: the fundamentals (basics, rhythm section, roots) but also with the detail (percussion, high end, effects). These two strata asked to sound eccentric: atonal and arhythmic. So when the song body runs through the room, it’s not wholly unfamiliar, just dressed oddly enough to make you look twice. Dark sunshine, still cool. Hopefully, anyway.

‘My friends helped me make a nice party noise, a goofy sociopath. Everyone who stopped by the studio was asked to make some noise and they pretty much did. A party that lasted for a few years, it’s only now dying down. A friend called this morning asking when the bus was leaving. A rickety, squealy, squeaky bus…none of us want to miss it.’

Kristin Hersh, July 2018

Throwing Muses’ lynchpin Kristin Hersh’s prolific career has seen her heralded queen of the alternative release. Her tenth studio album, Possible Dust Clouds is a highly personalised sociopathic gem delivered as a futuristic rewriting of how music works, a melodious breeze with a tail wind of venomous din.

Enveloping the juxtaposition of the concept of ‘dark sunshine’, a brooding solo record created with friends to expand her off-kilter sonic vision; a squally, squeaky mix of discordant beauty. Feedback and phasing gyrate from simply strummed normality – imagine Dinosaur Jr and My Bloody Valentine cranking up a Dylan couplet. Possible Dust Clouds is a glorious return to form for one of alternative rock’s true innovators.

‘She’s still as powerful a presence as she ever was’ – Pitchfork

‘The prodigious output and commitment to quality is pretty staggering, but then Kristin Hersh is a very, very special musician’ – The Quietus

Tour support comes from Fred Abong.

We’re excited to be returning to a very special venue for this show: St Philip’s Church. The building is one of Greater Manchester’s finest Georgian buildings, dating back to 1825, and its Greek style is unique in Salford.

Buy tickets now. Tickets are available from Vinyl Exchange, WeGotTickets.comTicketline.co.uk and on 0871 220 0260.

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All shows are 18+ unless otherwise stated.