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Upcoming shows: Daudi Matsiko... Jolie Holland... Christof van der Ven + Niamh Regan... Ariel Sharratt & Mathias Kom... Giant Sand... Melanie Baker... Sophie Hutchings... Jerron Paxton... Ghostly Kisses... Sounds From The Other City 2024... Francis of Delirium... The Buffalo Skinners... The Handsome Family... Memorial... His Lordship... Florry... Bad Bad Hats... Dana Gavanski... Caoilfhionn Rose... The Lovely Eggs... Rain Parade... Charlie Parr... Ryley Walker... Erland Cooper...

When: 7.30pm on Sunday 23 March 2014
Where: Soup Kitchen, 31-33 Spear Street, Manchester M1 1DF

PLEASE NOTE: This show is completely sold out – but we’re promoting another show for Angel Olsen in September. Read more here.

We’re delighted to be working with Jagjaguwar’s Angel Olsen for the first time.

Many of the superlatives describing Angel Olsen refer to how seemingly little it takes for her to leave an audience speechless, even spellbound. But Olsen has never been as timid as those descriptors imply, and the noisy, fiery hints in her earlier work find a fuller expression on her newest LP, Burn Your Fire For No Witness. Here, Olsen sings with full-throated exultation, admonition and bold, expressive melody. Also, with the help of producer John Congleton, her music now crackles with a churning, rumbling low end and a brighter energy.

Angel Olsen began singing as a young girl in St. Louis, where she explored the remarkable range of her voice and the places it could take her songwriting. Her self-released debut EP, Strange Cacti, belied both that early period of discovery and her Midwestern roots. Cautious and homespun on the one hand, the EP transported us to a mystical, unrecognisable world on the other, and it garnered extensive praise for its enigmatic beauty. Olsen then went further on Half Way Home, her first full-length album (released on Bathetic Records), which mined essential themes while showcasing a more developed voice. Olsen dared to be more personal.

After extensive touring, Olsen eventually settled for a time in Chicago’s Logan Square neighbourhood, where she created ‘a collection of songs grown in a year of heartbreak, travel and transformation’. The new songs go on to tell us to leave, or to high-five a lover who is lacking, or to dance our way up and out of sorrow. Many of them also remain essentially unchanged from their bare beginnings. In leaving them so intact, a more self-assured Olsen is opening up to us, allowing us to be in the room with her at the very genesis of these songs, when the thread of creation is most vulnerable and least filtered. Our reward for entering this room are many head-turning moments and the powerful, unsettling recognition of ourselves in the weave of her songs.

This act of meaning-making recurs as a theme throughout the album, as the sublimating response to the power of negativity. In the song, Stars, for example, Olsen wishes to ‘have the voice of everything’ and in a moment of hatefulness and hurt realises that the strength of fury results in the power she had been seeking all along. Thankfully for us, Olsen has decided to channel a lot of this newfound power into the ethereal, hypnotic performances of her new and revealing songs, sharing with us the full grace and beauty of her transformative moments.

Support comes from London wonky pop group Landshapes. As their previous incarnation Lulu and the Lampshades, they’re probably best known for the viral cup song You’re Gonna Miss Me – over 4 million hits on Youtube – but since they’ve undergone a considerable musical metamorphosis. Landshapes’ music recalls primitive folk-pop with subtle nods to psychedelia, all atop of ethereal soundscapes of melancholic pop melodies, stomping percussion and layered harmonies, weaving in and out of, joyously ramshackle at times and mournful at others. Their album, Rambutan, was released in October on Bella Union.

PLEASE NOTE: This show is completely sold out – but we’re promoting another show for Angel Olsen in September. Read more here.

Attend on: Facebook | Last.fm



All shows are 18+ unless otherwise stated.