Hey! Manchester promotes gigs by folk, Americana and experimental bands from around the world in Manchester, England. Read more here, see below for our latest shows, check out our previous shows, contact us, or join our mailing list, above.

Upcoming shows: Rachel Baiman... Heartless Bastards... The Surfing Magazines... John Francis Flynn... Josh Rouse + Vetiver... Smoke Fairies... Douglas Dare... Left Lane Cruiser... Simone Felice... Efterklang... Dana Gavanski... Beans on Toast... The Sheepdogs... Hannah Ashcroft... Keeley Forsyth... Spencer Cullum... The Happy Soul... Roddy Woomble... Group Listening... The Weather Station... Wyndow... Sam Amidon... Elkyn & S.T. Manville... Samana... Robyn Hitchcock... Federico Albanese... The Beths... Rachel Sermanni... Pictish Trail... William Crighton... Sondre Lerche... Penelope Isles... La Luz... William Fitzsimmons... Kristin Hersh... Danny George Wilson... The Besnard Lakes... Tré Burt... Jake Xerxes Fussell... Andy Shauf... Ryley Walker... Charlie Parr... The Unthanks... The Wave Pictures... Hania Rani... Aoife O’Donovan... The Lovely Eggs... Francis Lung... Lael Neale... The Handsome Family... Charles Watson... Ólafur Arnalds... Polly Paulusma... Tommy Alexander... The Dears...

When: 7.30pm on Saturday 22 January 2022
Where: Gullivers, 109 Oldham Street, Manchester, M4 1LW

PLEASE NOTE: This show has sadly been cancelled. Refunds are available from the point of purchase, and please watch this space for a new date in 2023. Here’s a message from Rachel’s team:

‘In light of the ongoing covid pandemic and travel issues from the US and especially Canada, as well as Celtic Connections cancelling a number of shows, Rachel and her manager have made the difficult decision to cancel her January tour. As much as everyone tried to keep this tour in place it seems everything was working against us. Rachel tours the UK with Kris Drever later in the spring and will be back for headline shows in 2023.’

We’re excited to be working with Rachel Baiman for the first time!

Rachel Baiman’s June 2017 label debut Shame was featured on NPR’s ‘Songs We Love’, called a ‘rootsy wake-up call” by Folk Alley, and described by Vice’s Noisey as ‘flipping off authority one song at a time’. Now Baiman has announced Thanksgiving (out 2 November on Free Dirt Records) – a self-produced four-song EP, featuring her live trio as well as special guests including Molly Tuttle and Josh Oliver.

Baiman’s Thanksgiving is an intriguing follow up to Shame, allowing her a chance to stretch out stylistically, moving effortlessly between bluegrass, to folk, old-time and country. The bittersweet lyricism she’s become known for conveys the push and pull of hardship and hope we often feel during the holiday season.

Raised in Chicago by a radical economist and a social worker, Baiman was surrounded by social justice issues her entire life. ‘If I wanted to rebel against my parents I could have become a finance banker or a corporate lawyer,’ she says of her childhood. While her classmates went to church or temple on Sunday mornings, Baiman attended the Ethical Humanist Society of Greater Chicago, a non-religious community formed around discussions of morality and current events. ‘That was always a tough one to explain at school,’ she says with a laugh.

As a teenager, Baiman found music to be a welcome escape from worrying about global politics: ‘I often found the constant discussion of seemingly unsolvable problems to be intense and overwhelming, and when I moved to Nashville to pursue music it felt like something positive, beautiful and productive that I could put into the world. Now that I’ve had some years to devote to music.’

Baiman has been recording and touring internationally for the past four years with 10 String Symphony, and has played fiddle for numerous other artists including Kacey Musgraves and Winnipeg folk band Oh My Darling. ‘I find it hard to escape from the values that I grew up with, and I feel compelled to write politically, to speak out about things that I’ve experienced or seen,’ she says. ‘Songwriting is a unique opportunity to do that, because it avails a more emotional vehicle for discussion. I love the political tradition of folk music, from Woody Guthrie to Tupac, and my hope is that this record adds another voice to it.’

This show is a co-promotion with Please Please You.

Buy tickets now. Tickets are also available from Dice.fm, WeGotTickets.comTicketline.co.uk and on 0871 220 0260.

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All shows are 18+ unless otherwise stated.
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When: 7pm on Sunday 30 January 2022
Where: The Deaf Institute, 135 Grosvenor Street, Manchester M1 7HE

PLEASE NOTE: This show has been postponed. We’re working on a replacement date and existing ticket-buyers will be notified by their ticket vendor once this is confirmed. Here’s a message from the band in the meantime:

‘We’ve made the hard choice to postpone our January / February 2022 tour dates due to touring and travel conditions related to Covid 19. We are working with promoters to reschedule these dates and will announce updated plans ASAP. All tickets purchased will be honored for rescheduled shows, or refunds available from point of purchase once new details are announced. We appreciate your understanding and we look forward to playing music for you all soon.’

We’re excited to be working with Heartless Bastards for the first time!

On the new album A Beautiful Life, Heartless Bastards share a wide-eyed and radiant vision for harmonising a broken world. The Ohio-bred and Texas-transplanted band’s first new music since 2015’s Restless Ones, A Beautiful Life affirms frontwoman Erika Wennerstrom as a songwriter with the power to profoundly influence our state of mind, often by alchemizing her idealism into viscerally potent rock-and-roll songs. With its delicate coalescence of so many eclectic touchstones – French pop and Celtic folk, space rock and symphonic pop, Disney scores and post-punk – the result is an album that immediately lures the listener into a more receptive mindset, one that leads to deeper generosity, greater compassion, and a restored sense of possibility.

Co-produced by Wennerstrom and Kevin Ratterman (Strand Of Oaks, Jim James, White Reaper), A Beautiful Life finds Wennerstrom joining forces with the likes of guitarist Lauren Gurgiolo (Okkervil River), drummer Greggory Clifford (White Denim), multi-instrumentalist Jesse Chandler (Mercury Rev, Midlake), keyboardist Bo Koster (My Morning Jacket), guitarist David Pulkingham (Patty Griffin), and longtime Heartless Bastards bassist Jesse Ebaugh. Although she debated releasing A Beautiful Life as a solo effort (as with 2018’s Sweet Unknown), the Austin-based singer/songwriter ultimately conceived the album as a continuation of the journey begun on the band’s breathlessly acclaimed 2005 debut Stairs and Elevators. ‘I loved the last iteration of Heartless Bastards so much – they’re like family – but the stars weren’t aligning for us to reconvene on this record,’ says Wennerstrom. ‘As the record came together I realised it’s always been my project, and I was determined to continue forth with that. I had so much faith in these songs and in myself, and in many ways it feels like a rebirth.’

Like many timeless songwriters before her, Wennerstrom channels her nuanced observation of the outside world into music that incites contemplation, catharsis, and a joyful sense of defiance. ‘It’s so easy to get caught up in the material goals that are prioritised by our society and the every-man-for-himself mentality of late-stage capitalism,’ Wennerstrom says of the album’s central themes. ‘That way of thinking presents a false idea of what a beautiful life is, and I think it’s so important that we as individuals all ask ourselves what it truly means to have a beautiful life.’

Throughout A Beautiful Life, Heartless Bastards guide their audience through an unhurried pondering of that very question, an exploration that begins with the soulfully expressed frustration of songs like How Low. ‘It’s becoming harder and harder to choose a simple life; so many people struggle to get ahead so they don’t get left behind,’ says Wennerstrom, who names the Jackson 5 as a key inspiration for the track’s jangly R&B grooves. ‘I believe that a truly elevated, conscious society is one that seeks to lift each other up – one where we work for the common good.’ On You Never Know, the band brings in elements of Brazilian bossa nova and yé-yé, arriving at a sweetly spirited anthem against jadedness. ‘As we get older and experience the pain of certain plans not working out, we can build up walls to protect ourselves,’ Wennerstrom says. ‘This song is a reminder to stay open, stay present, and keep taking chances.’

One of the most hypnotic moments on A Beautiful Life, Photograph unfolds as a sprawling psych-rock epic, speaking to the urgency of unconditional compassion. ‘There’s an extreme divide that’s developed in our society, but underneath it all I think we all want the same things,’ says Wennerstrom. ‘One of the biggest challenges I’ve dealt with is learning that I can’t control the energy that comes at me, but I can control my reaction, and try to take a compassionate approach with everyone.’ And on Went Around The World, Heartless Bastards elegantly merge hip-hop beats and high-drama strings in a mesmerising meditation on the inherent connectedness of all life. ‘I’ve toured for years and backpacked around in my off time, and through experiencing new situations I’ve gotten to know parts of myself I’d never known,’ says Wennerstrom. ‘It’s reinforced for me that it doesn’t matter what our race or religion is, or whether we’re male or female, straight or LGBTQ – we’re all connected to each other, and to the planet that sustains us. It’s all family.’

In the making of Heartless Bastards’ most elaborately realised body of work to date, Wennerstrom immersed herself in a highly experimental process that sometimes involved breathing new life into song fragments she’d first created decades ago. ‘There are little pieces of songs that I’ve had in my head for 20 years, and that finally found their place on this album,’ she notes. As she dreamed up A Beautiful Life’s finely detailed yet free-flowing sound, Wennerstrom repeatedly wandered down what she lovingly refers to as rabbit tunnels. ‘I call them tunnels instead of rabbit holes, because they take me somewhere instead of leaving me stuck,’ she says. ‘I allowed myself to really feel my way through things, trusting that I was going to get to where we needed to go. I never abandoned my vision, and because of that the album became everything I hoped it would be and then some.’

After recording some of the basic tracking for A Beautiful Life with Danny Reisch in Austin, Wennerstrom headed to Ratterman’s Invisible Creature studio in Los Angeles, assembling such singular musicians as Andrew Bird and Persian setar virtuoso Fared Shafinury (both of whom contributed to the wildly rambling folk of The River). ‘I made sure to pick people whose style I knew would be a perfect fit for these songs – that way I could tell them, “Hey, I just want you to be you,”‘ she says. As the album took shape, Wennerstrom and her collaborators discovered an undeniable chemistry that led her to invite Clifford and guitarist Gurgiolo into the lineup for Heartless Bastards’ upcoming live shows, marking the start of an exciting new era for the band.

For the final track to A Beautiful Life, Heartless Bastards chose a slow-burning piece called The Thinker, a gently galvanising plea to ‘see the beauty in everything’. ‘There’s a line in that song that sums up the whole album for me: “I did it all for love and I’d do it again,”‘ says Wennerstrom. ‘For me music is a gift – I do it because I love it, and because it helps me feel more connected to the world. I think we all long for a deep connection, and I hope this record adds to the conversation on how we as a species can stop seeing ourselves as separate. I hope it helps everyone to think about how we can look out for each other, take care of each other, and lift each other up.’

This is a 14+ show. Under 16s must be accompanied by an adult.

Buy tickets now. Tickets are also available from Dice.fm, WeGotTickets.comTicketline.co.uk and on 0871 220 0260.

Attend on: Facebook


All shows are 18+ unless otherwise stated.
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When: 7pm on Friday 4 February 2022
Where: YES (Basement), 38 Charles Street, Manchester M1 7DB

PLEASE NOTE: This show has now sold out! 

We’re delighted to be welcoming The Surfing Magazines back to Manchester!

Garage rock supergroup The Surfing Magazines have unveiled their new single Sports Bar, the first release from their forthcoming album Badgers of Wymeswold, out this summer via Moshi Moshi Records.

Consisting of one half of Slow Club and two thirds of The Wave Pictures, The Surfing Magazines’ primary influences are Bob Dylan, The Velvet Underground and all the great surf guitar music of the 1960s. They burst onto the scene with their eponymous debut album in 2017, a lauded LP described by Record Collector Mag as ‘a vintage-yet-modern rock’n’roll classic’.

Marking their first release since 2017, Sports Bar combines rumbling bass, slick vocals and witty lyricism to masterful effect. In typically mischievous fashion, the band describe it as ‘like The Modern Lovers if Marc Bolan had sung lead vocals instead of Jonathan Richman, with a bridge ripped out of Pavement, only better than any of those people’s music,’ and in doing so strike a curious balance of self-deprecation and self-belief – a quality that permeates their music as well as their description of it.

Mixing the noir surf textures of 1960s garage rock along with west coast sun beaten harmony pop, the 17-track Badgers of Wymeswold follows the acclaimed debut and is to be released July this year. The London-based foursome recorded the album at Ranscomb Studio in Rochester in February last year before the start of the first UK lockdown.

Pushing their sound forward, the band utilise their garage rock ethic and have both drummer Dominic Brider and rhythm guitar player Charles Watso lead on vocals across multiple tracks. The album sees a return of freeform saxophone parts, eerie violins and piano all appear, notably on tracks Nostaw Boogie and I’m Going Out Tonight To Play Some Pool. The title track is drawn from David Tattersall’s nightmare vision about his home town’s population of self-governing people, the album artwork was also made by Tattersall and depicts a collage of his referenced dreams. The extensive LP showcases their characteristic sound at their brightest, from softer ballads such as Poppies and Silver Breasts, surf guitar rock anthem Locomotive Cheer, and to the six bar blues Pink Ice Cream.

Their first release in four years, Sports Bar sees The Surfing Magazines draw on their trademark garage rock sound with undeniable results.

Local support comes from Granfalloon – the musical project of Manchester-based artist Richard Lomax. Lomax makes a hybrid of alt-folk acoustica, and lo-fi electronica – weaving oddball elements, such as Omnichords, acoustic guitars, and vintage drum loops, into dreamy songs and cinematic soundscapes. Their latest album Positive Songs is out now.

Buy tickets now. Tickets are available from Dice.fm, WeGotTickets.comTicketline.co.uk and on 0871 220 0260.

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All shows are 18+ unless otherwise stated.
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When: 7.30pm on Wednesday 9 February 2022
Where: The Castle Hotel, 66 Oldham Street, Manchester M4 1LE

We’re excited to working with John Francis Flynn for the first time!

Fresh from an exhilarating sold-out show at Whelans in Dublin and a double award-winning appearance at the 2021 RTE Folk Awards, John Francis Flynn has announced extensive UK tour dates.

The newly crowned ‘Best Singer’ and ‘Best Emerging Artist’ at the RTE Folk Awards continues to gather rave reviews at home and abroad this will surely be a show not to be missed. The recent Whelans show saw Flynn and band expand upon the critically acclaimed debut I Would Not Live Always with lush, expansive soundscapes and pulsating versions of fan favourites My Son Tim and Lovely Joan.

John Francis Flynn is a singer and multi-instrumentalist whose work centres around traditional and folk material from Ireland. He is a founding member of the band, Skipper’s Alley, with whom he has toured extensively throughout Europe and America. While supporting Lankum on their 2019 UK tour he caught the eye of Geoff Travis and Jeanette Lee who quickly signed John to Rough Trade imprint label River Lea.

‘Folk Album of the Year’ – Mojo

‘Tin whistles, fiddles and tape loops create a fascinating new landscape of folk-horror vibrations’ – Folk Album of 2021, the Guardian

‘Double Tin Whistle and Tape-Loops. Revelatory new takes on English and Irish folk songs in the manner of Sam Amidon. A singular and striking clarity of vision… An extraordinary debut by any standard’ – Uncut Magazine

Buy tickets now. Tickets are also available from Dice.fm, WeGotTickets.comTicketline.co.uk and on 0871 220 0260.

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All shows are 18+ unless otherwise stated.
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When: 7pm on Friday 11 February 2022
Where: The Deaf Institute, 135 Grosvenor Street, Manchester M1 7HE

PLEASE NOTE: Unfortunately, due to the current ongoing Covid 19 situations and the complications this causes for international travel, Vetiver and Josh Rouse have had to cancel their February 2022 tour as it is not possible to reschedule this co-headline run. Both artists look forward to returning to the EU/UK next time. All tickets will be refunded at their point of purchase.

We’re delighted to present this exciting pairing of two Hey! Manchester favourites, Josh Rouse and Vetiver!

You don’t have to work hard to enjoy Josh Rouse’s music. His songs present themselves to you with an open heart, an innate intelligence and an absolute lack of pretension. They are clear-eyed, empathetic and penetrating. Without pandering, they seek to satisfy both your ear and your understanding. The verses draw you in with telling detail, both musical and thematic, and the choruses lift and deliver. They resolve without seeming overly tidy or pat.

Rouse was born in Nebraska, and following an itinerant upbringing he eventually landed in Nashville where he recorded his debut Dressed Like Nebraska (1998). The album’s acclaim led to tours with Aimee Mann, Mark Eitzel and the late Vic Chestnutt. The follow-up – Home (2000) – yielded the song Directions, which Cameron Crowe used in his film Vanilla Sky.

‘Every time I’ve made a record, I’ve tried to make it different from the last one,’ says Rouse. ‘I always became fascinated by a different style of music. But at the end of the day, no matter how eclectic I try to make it, it’s my voice and melodic sensibility that tie things together.’

For his 2003 breakthrough album, 1972, which happens to be the year he was born, Rouse decided to cheer up a bit. Noting that he’d earned a reputation for melancholy, he says, with a laugh, ‘I figured this is my career, I might as well try to enjoy it.’ While the Seventies are often identified with singer-songwriters, Rouse was primarily attracted to the warmer sound of albums back then, as well as the more communal feel of the soul music of that time. The follow up, Nashville (2005), continued the hot streak and expanded his audience further.

After relocating to Valencia, Spain with his wife Paz, Rouse has released a steady stream of high quality songs and albums. Subtitulo (2006) contained the international indie folk hit Quiet Town. On El Turista (2010) he even experimented with writing and singing some songs in Spanish. In 2014, he won a Goya Award (the Spanish equivalent of an Oscar) for best song for Do You Really Want To Be In Love, from the film La Gran Familia Española.

The Embers of Time (2015) was one of his strongest albums – self-described as ‘my surreal, ex-pat, therapy record’. He followed that up with 2018’s Love In the Modern Age, which took its musical inspiration from the thinking man’s pop of the eighties: The Blue Nile, Prefab Sprout and the Style Council. And in 2019 he tackled the Christmas album on The Holiday Sounds of Josh Rouse but instead of well-worn carols or classics, he wrote an entire record of original holiday themed pop songs.

Vetiver is the long-running stage and recording name of San Francisco’s Andy Cabic. Up On High is his seventh studio album and the first since 2015. Vetiver has toured around the world on headline tours and supporting artists that include Wilco, The Shins, Fleet Foxes, Beach House, Bob Weir & Phil Lesh and Vashti Bunyan. Vetiver craft nuanced, understated songs that reward careful listening, building a rich duality; a space where sunshine is only a chord away from melancholy, an introspective lyric underlies an extroverted chorus and subtlety tries to be outgoing in an effort to connect the dots of life’s ellipsis.

Up On High was recorded with longtime collaborator Thom Monahan (Neko Case, Bedouine, Fruit Bats, The Donkeys, Peter Bjorn and John, Beachwood Sparks, Little Joy). Instrumentation comes from an all-world cast that includes Eric Johnson (Fruit Bats, EDJ), Gabriel Noel (Kendrick Lamar, Father John Misty, Tyler the Creator), Dan Iead (Kevin Morby, Cass McCombs), Josh Adams (Bedouine, Wild Nothing) and Tim Ramsey (Fruit Bats, Little Wings).

This is a 14+ show. Under 16s must be accompanied by an adult.

Buy tickets now. Tickets are available from WeGotTickets.comTicketline.co.uk and on 0871 220 0260.

Attend on: Facebook


All shows are 18+ unless otherwise stated.
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When: 7pm on Saturday 12 February 2022
Where: The Deaf Institute, 135 Grosvenor Street, Manchester M1 7HE

PLEASE NOTE: This show has been postponed until February 2022. All other details are the same, and original tickets remain valid. Here’s a message from the band:

‘Disappointingly, we must announce that our upcoming UK tour has once again been postponed. We had pinned our hopes on everything improving by April but as it doesn’t seem likely that gigs will be able to return to full capacity by then we have pushed our tour plans back to 2022. As a band of our size, playing in independent venues, we rely on sold out shows to make touring viable. So, here’s to 2022 when our dreams of all cramming into a sweaty, loud, sold out, local venue can be lived’

We’re delighted to be welcoming Smoke Fairies back to the Deaf Institute!

Darkness Brings the Wonders Home, Smoke Fairies’ widely acclaimed first album in four years and the first to come out on the band’s own label, Year Seven Records, was released at the start of this year and has seen some remarkable chart positions – especially for a band operating entirely under their own steam (#1 UK album in Rock and a #6 in the Independent Album Charts).

Following on from this success, a limited-edition 7” picture disc of latest single from the album, Elevator, will be released Friday 3 April. This release will sit alongside its sold-out sister single Out Of The Woods/Disconnect, which came out at the end of last year in conjunction with Rough Trade shops. Again, the picture disc has been beautifully hand drawn and designed by Manchester-based illustrator Daren Newman.

Elevator, taken from Darkness Brings the Wonders Home, was recorded with producer Phil Ek (The Black Angels, Fleet Foxes, The Shins) over the course of a rigorous month-long session in Seattle. Smoke Fairies (aka Jessica Davies and Katherine Blamire) drew their inspiration for the album from mysteries both real and imagined: sea monsters, flocks of crows taking flight in extravagant formation, and strange creatures dwelling in the mud near their new South London abode. ‘Times of darkness are when people are often the most imaginative,’ says Jessica in reflecting on the album’s title. ‘It helps you to see all the wonders of the world you hadn’t noticed before – the things you’ve been blind to because you’ve been on autopilot for so long.’

And following on from their sold-out UK shows in February, Smoke Fairies have announced further UK tour dates for later in the year – including at Manchester’s Deaf Institute.

Tour support comes from Samana. Having spent two years rebuilding a Georgian farmhouse in the wild Welsh countryside, Samana  – aka Rebecca Rose Harris and Franklin Mockett – filled their car with a refined selection of instruments and a tape machine and headed to France for a three-week residency in early 2020. However, the world had different ideas and before the end of the first week they were given a simple choice: head home immediately or stay and ride out the incoming lockdown which would force the closure of all borders indefinitely.

They decided to stay and keep working, a decision which would lead to a new record – the duo’s second full-length album following 2019’s Ascension LP, which was richly championed by Elbow’s Guy Garvey. All One Breath continues Samana’s enthralling musical journey, weaving between various musical styles and influences, from progressive folk to an experimental, transcendental take on soul, blues, and rock.

This is a 14+ show. Under 16s must be accompanied by an adult.

Buy tickets now. Tickets are available from Vinyl Exchange,  WeGotTickets.comTicketline.co.uk and on 0871 220 0260.

Attend on: Facebook


All shows are 18+ unless otherwise stated.
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When: 7.30pm on Wednesday 23 February 2022
Where: The Castle Hotel, 66 Oldham Street, Manchester M4 1LE

PLEASE NOTE: This show has been postponed until February 2022. Original tickets remain valid and all other details are the same.

We’re delighted to be working with Douglas Dare!

English songsmith Douglas Dare returns with his third and most stripped back studio album to date, Milkteeth, released on 21 February 2020 with Erased Tapes. Produced by Mike Lindsay — founding member of Tunng and one half of LUMP with Laura Marling — in his studio in Margate in just twelve days, Milkteeth sees Douglas become confident and comfortable enough with his own identity to reflect on both the joys and pains of youth. In doing so, he has established himself as a serious 21st Century singer-songwriter with an enduring lyrical poise and elegant minimalist sound.

Douglas Dare grew up on a farm as the youngest member of a large extended family, where he was often found in his own private world, dancing in his mother’s pink ballet dress. ‘Only now do I feel free to express my inner child again, and am giving myself permission to play dress up,’ says Dare of Milkteeth’s cover shot, in which he wears soft makeup and is draped with layers of white linen, acting the part of a Greek muse. ‘I never felt like I fit in. I was different, odd. I wanted to dance and sing and dress up and on a small farm in rural Dorset that really stuck out.’

Where previously he has been known as a piano player, for Milkteeth Dare picked up a new instrument, the autoharp, and as soon as he sat down with it, songs poured out – he wrote the album’s first single Silly Games, in under an hour. ‘Instinctual feelings about childhood and innocence were the catalyst,’ he explains. ‘Then with the autoharp, it all just clicked – I could see the album laid out ahead of me.’

Milkteeth opens with I Am Free, which loops piano and lyrics in an intimate dance, comparing the seemingly inexorable freedom of childhood to flying. The Playground is a song Dare says he’s wanted to write for years, about a yearning for childhood innocence and simplicity. While Red Arrows tells a story of vulnerability, of craving parental comfort, The Joy In Sarah’s Eyes is a Jeff Buckley-esque ballad for a new generation. In Heavenly Bodies there is an unhurried darkness that nods to Leonard Cohen’s songwriting, and is also the first time Dare has played the guitar on record. The melodies on Milkteeth are deliberately simple; Dare wanted it to feel familiar right from the first listen. In between these songs sit instrumental pieces – The Piano Room, The Stairwell, The Window – named for the spots they were recorded in, moments for stillness and reflection.

Marking his arrival in 2014 with the release of his acclaimed debut Whelm and establishing his musical dexterity on the much darker follow up Aforger in 2016, Dare’s star keeps growing. In 2017 he was asked to contribute a re-interpretation of Dance Me to the End of Love to the Leonard Cohen exhibition A Crack in Everything at the Contemporary Art Museum of Montréal, currently showing at The Jewish Museum in New York before opening at the Contemporary Jewish Museum in San Francisco in September 2020. He was invited by Robert Smith to perform at his Meltdown Festival at the Southbank Centre in 2018, followed by the David Lynch-curated Manchester International Festival alongside Anna Calvi in 2019.

Dare’s music speaks of his own experiences of universal themes like love, loss, and childhood. Perhaps most importantly, his music gives a voice and a sanctuary to anyone who’s ever felt unusual or out of place. Whether he’s singing of the pain of those in the Magdalene Laundries as on Whelm, describing coming out to his parents on Aforger, or processing his own childhood isolation on Milkteeth, Dare has a graceful honesty and an abiding clarity of vision in his simple and distinctive sound.

Special guest is Fell. Lose yourself in the forest of Fell, the musical alias of London-based artist, illustrator and creator of sun-kissed psychedelic pop dreaminess Nicolas Burrows, aided and abetted by band members Jon Rulton (Bear Driver, Dream Giant), Dav Shiel (Beth Jeans-Houghton & The Hooves of Destiny) and Matt Giraudeau (Dogtanion). Release last October as a limited-edition cassette tape and via digital services, For The Pickling is his Lost Map debut EP. Hailed as ‘beautifully crafted’ by For Rabbits, the title track was released in August as part of Lost Map’s PostMap Club, a subscription series in which members receive a new set of printed postcards each month with download codes giving access to new and unreleased music. Fell have received radio support from BBC 6 Music’s Lauren Laverne and Gideon Coe among others.

Originally hailing from Blackpool, Lancashire, Nicolas cut his teeth in the early-2000s, playing in bands around the then-burgeoning Leeds scene (Crayon, All My Friends Are Dead, Vest For Tysso, Bear Driver, Super Eight), before starting to create his own project under the name Glaciers. In 2016 he mutated into Fell, recording There Still Are Mysteries, an album of haunting autumnal pop with Stereolab’s Andy Ramsay in the production chair. In 2018, Fell were one of eight recipients of PRS/PledgeMusic’s Emerging Artist Fund and used this to record a new five-track EP and make three videos. Produced by Dan Blackett (of Bella Union signings, Landshapes), For The Pickling is the result – six lilting, woozy micro-opuses that transport the listener to a half-forgotten childhood summer and back again. The EP features guest accompaniment from Dan’s bandmates Luisa Gerstein and Heloise Tunstall-Behrens, as well as the sonorous vocals of experimental performer David Thomas Broughton.

Buy tickets now. Tickets are available from the bar (no booking fee), Vinyl Exchange, WeGotTickets.comTicketline.co.uk and on 0871 220 0260.

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All shows are 18+ unless otherwise stated.
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When: 8pm on Tuesday 22 February 2022
Where: Night & Day Cafe, 26 Oldham St, Manchester, M1 1JN

We’re delighted to be welcoming Left Lane Cruiser back to Manchester!

The dream team Left Lane Cruiser line-up is back: Freddy J IV is joined by his original partner in crime Brenn Beck!

Imagine RL Burnside jamming with Black Sabbath – iron-heavy slide guitar from Freddy J is welded onto even heavier slamming beats delivered by Beck… it’s great to have the guys back together in the UK after 10 years.

Headed by singer/guitarist Freddy J IV, Left Lane Cruiser is a bona fide blues rock band from the American midwest. Far from pretending to be rambling hobos for the sake of a manufactured image, Left Lane Cruiser has been genuinely living the blues for over a decade, bringing its freestyle jams to crowds all over the world.

Shake and Bake, the band’s latest album, was cooked up in a van rolling heavy on the highway, headed by two baked and juiced musicians, veering across the lines, desperately steering towards rest and redemption at the nearest parking lot. It is a record about the juice that keeps the crowd dancing, the smoke that keeps the minds lifted. This is as real it gets.

Recorded ‘old school’ analog by Jason Davis in his Fort Wayne studio, and with a cover by legendary artist William Stout (Ramones, Fred McDowell, Iggy Pop), Shake and Bake has a heavy sound and a big heart. For Left Lane Cruiser the blues is enduring and easy to feel.

Tickets go on sale at 11am on Friday 26 November via Seetickets.com

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All shows are 18+ unless otherwise stated.
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When: 7pm on Sunday 27 February 2022
Where: The Deaf Institute, 135 Grosvenor Street, Manchester M1 7HE

PLEASE NOTE: Due to health reasons Simone has been forced to cancel this show. Refunds are available from the point of purchase.

We’re excited to be welcoming Simone Felice back to the Deaf Institute!

Recorded at Sun Mountain Studios in bucolic Boiceville, NY with his longtime friend and collaborator, producer/arranger David Baron, All The Bright Coins sees Simone Felice working both sides of the glass, having spent much of the past half-decade earning acclaim as a frontline producer with credits including The Lumineers, Matt Maeson, Bat For Lashes, Connor Oberst, Phoebe Bridgers and many more.

Dark and melancholic yet life-affirming and incandescent, the album surveys the remarkable breath and reach of Felice’s artistry, from its intimate, deeply personal songcraft to a visionary sonic approach that features backing from the Felice Brothers, Four Tet’s Kieran Hebden and The Webb Sisters.

Having earned worldwide applause as a master storyteller for his work as a solo artist, founding member of the Felice Brothers, and acclaimed poet-memoirist, Felice taps into something heretofore unexplored on finely etched songs such as Puppet and No Tomorrows, the latter of which sees him revisiting a truly traumatic event from his youth – a cerebral aneurism that saw the 12-year-old Felice declared dead for several minutes on an emergency room table in Kingston NY and left him in intensive care, relearning basic motor skills, for more than two months.

The album further includes a quartet of evocative spoken word tracks, hearkening back to Felice’s own early experiences as a slam poet at NYC’s legendary Nuyorican Poets Café in the 1990s. Richly rewarding, literate, and personally redemptive, All The Bright Coins stands as a landmark work in Simone Felice’s already stacked catalogue, a breathtakingly crafted celebration of life, song, and the universal power of words and stories within both.

This is a 14+ show. Under 16s must be accompanied by an adult.

Buy tickets now. Tickets are available from Dice.fmWeGotTickets.comTicketline.co.uk and on 0871 220 0260.

Attend on: Facebook


All shows are 18+ unless otherwise stated.
Designed by ikram_zidane

When: 7pm on Wednesday 2 March 2022
Where: Gorilla, 54-56 Whitworth Street West, Manchester M1 5WW

We’re delighted to be welcoming Efterklang back to Manchester!

Every year as spring arrives, a sea of tiny flowers blossom across the Danish forest floor. They’re an explosion of colour, a symbol of hope and change, disappearing as quickly as they arrived and exposing the constant cycle of nature. They are known colloquially as windflowers.

For over twenty years, Efterklang have been pushing the barriers of experimental, electronic, emotional chamber-pop. Announcing their sixth studio album Windflowers, their first for City Slang, the Danish trio of Mads Brauer, Rasmus Stolberg and Casper Clausen continue a creative journey that’s brought them closer together, even as their lives grow apart. Channelling the motifs of hope and change its namesake flora represents, the album sees their many years of collaboration and experimentation distilled into some of their finest and most direct melodic moments to date.

With their ability to bring in guests and session musicians restricted, Efterklang had to challenge their usual creative process and accept their own limitations. Recorded over the course of five trips to residential studio Real Farm on the island of Møn, south of Copenhagen, the genesis of Windflowers was back to basics and became an exercise in putting their vast and dynamic experience to play. The album finds Casper singing in English again, for the most part. It’s rich and intimate, the sound of three friends finding each other at a time when the world around them felt unstable. The record is about existing, alone, together and in nature. It’s about reconnecting, and letting each other grow.

Efterklang’s constant innovation and openness for collaborating extends past the band’s core members and into the world of the listener. Now sharing new music through their Developed platform, fans are invited to collaborate and respond as they listen to the new tracks for the first time. Collaboration and community has always been the compass of Efterklang, and the group keeps looking for new ways to build a meaningful correspondence with their audience, to be inventive and inclusive. “We don’t want to play to people, we want to perform and make music with people,” Rasmus explains.

After all their years together, Mads, Casper and Rasmus share the real intimacy of family. Windflowers is proof that connection and community can triumph over adversity, and the result is something truly beautiful.

Whether it’s their early, more electronic-driven post-rock beginnings (Tripper, 2004) or their later field recording excavations at an abandoned settlement not far from the North Pole (Piramida, 2012), Danish pop adventurers Efterklang express boundless enthusiasm with each radical new undertaking and when they take the stage to perform live.

In 2019, they released their fifth album Altid Sammen (translated: forever together), which took them on a long European tour playing sold out shows in venues like the Elbphilharmonie in Hamburg and London’s Barbican Concert Hall before the pandemic shut everything down.

Just recently, the band informed their fans that they will be releasing a new album later in 2021 and while we wait for further information, they have announced an extensive European tour, from October 2021 to March 2022.

Consisting of childhood friends Mads Brauer, Casper Clausen and Rasmus Stolberg, the band sustains a forever-curious approach to its sound and identity. Over the years, they have become a true force of nature when taking to the stage to perform live, their concerts are as beautiful as they are raw and communal. Performing to an audience is not enough for Efterklang – their wish is to perform with the audience. The ambition is to create a genuine feeling of togetherness via music and to break down the distance between performer and audience. This applies in particular to their concerts, but is also expressed through their popular Sock Society and their Private-Public Screenings project where more than 2000 fans helped organise official screenings for their music-films An Island (Vincent Moon, 2011) and The Ghost of Piramida (Andreas Koefoed), 2012).

We all miss live music and there are few better representatives of the format than Efterklang and their amazing live band. They are eager to get back on the stage to perform both old and newly written songs.

This is a 14+ show. Under 16s must be accompanied by an adult. 

Buy tickets now. Tickets are available from Dice.fm,  WeGotTickets.comTicketline.co.uk and on 0871 220 0260.

Attend on: Facebook


All shows are 18+ unless otherwise stated.
Designed by ikram_zidane

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