When: 7.30pm on Monday 9 November 2026
Where: YES Pink Room, 38 Charles Street, Manchester, M1 7DB

We’re delighted to welcome Matthew and the Atlas to YES as they mark the 10th anniversary of Temple!

Matthew and the Atlas is the project of Hampshire-based songwriter Matt Hegarty — one of the first artists signed to Communion Records. Over fifteen years and seven albums, he has traversed a range of musical territories from classic acoustic folk to synth-laden electronica and guitar-led alt-rock, touring extensively across the UK, Europe and the US with the likes of Mumford & Sons, Bear’s Den and The Civil Wars, and earning the tag the “British Bon Iver” from Q Magazine along the way.

Temple was recorded in Nashville in 2015 with production duo Foreign Fields and released in April 2016, producing fan favourite Elijah. Later that year, Hegarty headed back into the studio with the rest of the band and producer Ian Grimble to rework the songs using the instruments they had — acoustic guitar, harp, clarinet, banjo, piano and double bass. Temple Unplugged came out quietly in December 2016 and found an audience Hegarty hadn’t expected — over the years it has become the record fans mention most at shows.

This autumn, Hegarty heads out as a three-piece alongside longtime collaborators Emma Gatrill and Alex Roberts to celebrate the tenth anniversary of both records — a rare chance to hear Temple Unplugged performed from start to finish, in the intimate spirit in which it was originally made, alongside favourites from across the MATA catalogue.

‘A very rare talent’ — Clash

Tour support comes from AK Patterson. AK Patterson is a London-based singer-songwriter and multi-instrumentalist whose music blends gritty honesty with haunting beauty. Known for her unflinching exploration of dark and complex themes, Patterson crafts songs that find hope in the bleakest corners of human experience. Described by fans as ‘Buckley with boobs’ (in reference to Jeff Buckley), she prefers to label her style as modern chamber pop fused with the melancholic spirit of 90s Lilith Fair.

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When: 7.30pm on Wednesday 11 November 2026
Where: Gullivers, 109 Oldham Street, Manchester, M4 1LW

We’re delighted to welcome Flora Hibberd to Gullivers!

Like a textile artist, Flora Hibberd weaves layers of meaning into her music. Born in London, she has called Paris home since the age of eighteen. As likely to veer into guitar or synth-driven pop as to take up a 17th century traditional, the songs pulse with surreal allusions and mundane emotions, a tapestry of everyday life shot through with cosmic signs. Hibberd sees her songwriting as a walk in a strangely familiar neighbourhood, revealing and reveling in the oblique and the mystic.

Her acclaimed debut album Swirl (2025, 22TWENTY) was recorded in Eau Claire, Wisconsin and praised by press internationally, including Le Monde, who hailed it as one of the standout indie-folk releases of the year, and KEXP, who hailed her last release as ‘a timeless collection of sweeping folk-pop’. With her haunting melodies, literary lyricism, and magnetic live presence, Flora has quickly established herself as one of the most compelling new voices on the scene.

Hot on the heels of her acclaimed 2025 album, Flora’s new record Mammoth gets weirder. Produced by The National’s Ben Lanz between a Basque mountain and the Paris suburbs, the album is peopled with ghosts of history and prehistory that roam the present, to stare into the future with a clear and unblinking eye. Echoes of Lanz’s trombone and longtime collaborator Victor Claass’ feverish guitar, and whispers of familiar voices drift down from the hill, the swirling mists of an album that is at once more energetically pop, and more odd and disquieting, than what came before.

Local support comes from Run Remedy. New Jersey-born, Manchester-based songwriter and violin nerd Robin Koob makes lo-fi alt-indie as Run Remedy, wobbly guitars, scruffy edges, emotionally precise songs and a healthy dose of grief and goof. Somewhere between Wilco and Mitski, with a little stand-up-comedy energy thrown in.

She’s had BBC 6 Music spins and even been hailed ‘an amazing songwriter’ by her champion Guy Garvey. She’s played everywhere from New Colossus NYC to Kendal Calling, across the pond and tip to tail of the UK (but mostly in Manchester), earning an ‘utterly beautiful’ from Record of the Day and an ‘on the rise’ from The Line of Best Fit. After years of being everyone else’s strings and sings, she’s finally letting her scruffy Jersey girl energy take the spotlight. She’s currently performing songs from her latest release, Not at the Table, five tunes about uncomfortable conversations, finding the right words, and getting them out before the end of the meal.

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When: 7.30pm on Thursday 12 November 2026
Where: Kamera at Lloyd & Platt, 617 Wilbraham Road, Chorlton, Manchester, M219AN

We’re delighted to working with Spafford Campbell for the first time!

Spafford Campbell are twenty-something mould-breakers, fiddle player Owen Spafford and guitarist Louis Campbell.

The two first met as teenagers playing traditional music. The connection, they say, was immediate. The duo Spafford Campbell began playing live in 2018, prompting double takes with their delicacy, dynamism and seemingly telepathic exchanges, with the startling intimacy of musical conversations nurtured in improv-led writing sessions.

Their latest album Tomorrow Held is a visionary body of eight largely instrumental tracks that hold space, resolve into mystery, that fold in elements of jazz, post-rock and chamber classical music while raiding the folk music toolbox. Call it what you want: post-folk. Trad-noir. Folk nihilism. Then know that Spafford Campbell are blazing a trail that erases genre — and finds gold in the embers.

While redolent of Talk Talk’s moody, experimental 1988 opus Spirit of Eden, and riven with a Bon Iver-ish sense of transcendence, Tomorrow Held is a work of bold singularity. A whole greater than the sum of its parts — parts that include effects pedals, ambient cassette loops, flashes of electric guitar, electronic processing on fiddle and impressionistic accompaniment.

‘Mingling traditional tunes with influences from minimalism, post-rock and jazz, they shift moods exquisitely’ – the Guardian — 10 best folk albums of 2025

‘This is a fusing of the traditional and the futuristic that is quietly groundbreaking, and beguiling with it’ – The Times — albums of the year so far 2025, 4*

‘England’s finest and most innovative instrumental duo’ – Songlines — Top of the World, 5*

Local support comes from Quincey May Brown. Quincey’s second album Careful, Pockets is out now on Other Shoe Records. Marked by her distinctively tender vocals, acerbically playful lyrics and harp-propelled textural arrangements, DIY musician Quincey May Brown is a singular force. Raised in Northamptonshire and now based in Manchester, her songwriting has been praised for its depth and subtle humour.

Following the release of her debut album, Basic Surgeon, the new album expands on Quincey May Brown’s intoxicating exploration of both organic and non-organic sounds in unexpected ways. Quincey leans away from folk conventions, instead creating a world of strings, drones and woodwind, dancing to the beat of its own off-kilter drum. Careful, Pockets is a collection of stories on loss, human nature and childhood scrapes.

Kamera is the brand new venue upstairs at Lloyd & Platt (formerly The Lloyd’s) in Chorlton – by the team behind the Castle Hotel and Gullivers. The pub downstairs offers Indian street food by Chapati Cafe.

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When: 7.30pm on Saturday 14 November 2026
Where: Gullivers, 109 Oldham Street, Manchester, M4 1LW

We’re delighted to be working with Zoh Amba for the first time – with support from hot springs!

In April, Zoh Amba announced their Matador debut album Eyes Full, out June 5th, an album of tough and soulful songs that feel like a pure transmission from the heart. Today, Amba shares the album’s pensive and darkly hypnotic title track, a song about what makes someone’s heart full, and questioning why. It’s accompanied by a video directed by Grace Bader Conrad, featuring Amba and album musicians Jim White (drums) and Kevin Hyland (electric guitar).

‘Eyes Full’ follows first single ‘Another Time’, on which The Guardian said, “the free jazz saxophonist turns equally remarkable songwriter for a record that twists their Appalachian roots with openhearted, choppy indie rock”, and Stereogum in their Best 5 Songs of the Week noted, “that voice, along with those lyrics about being lost and seeking transcendence, make for pure beauty, rustic country-rock style.”

Alongside a recent sold out headline show at New York’s Nightclub 101 previewing songs from the new album, Amba performed in Coachella as part of Iggy Pop’s band. They will tour the US throughout the summer supporting Courtney Barnett and Folk Bitch Trio. A full list of tour dates is below.

Eyes Full is distinctly, instinctively tied to Zoh’s hometown of Kingsport, Tennessee and the rediscovery of their first instrument, the guitar. The album courses with a type of muddy, loose acoustic blues, punctuated with bursts of feedback-laden electric guitar and sweet burnishes of Appalachian folk. It’s a remarkable turn for an artist who has already become one of the most exciting saxophonists to emerge from NYC’s avant-garde scene,

In music, Amba is always striving for greater proximity to the divine. On Eyes Full, they’ve never come closer. Every song circles the idea of seeing and being seen. The record looks closely at the lives of working-class folk in small towns who bust their asses off while trying to find any salvation they can.  “I hope these songs touch people’s hearts,” Amba says. “They’re about people who really need to be seen and heard.”

For years, Amba tried to find an identity outside of where they came from. Raised in the mountain towns of Tennessee, they left at seventeen for San Francisco, then moved to New York City soon after. Yet no matter how far they traveled, home always wrapped itself around their ankle. “When you try to run from something it ends up catching up to you,” they say now, speaking in a thick Southern drawl they no longer attempt to hide. “And you have to deal with it.”

Though Amba had long believed that pure instrumental music could help souls, and that transcendence could be reached without language, words eventually pushed their way in. While playing saxophone, they often felt as though they were being carried heavenward: their body burning, tears rising, the music opening a direct line to God. But alongside that ecstasy came flashes of darker childhood memories. The guitar became a way to face those visions directly, to hold them at eye level rather than flee. They sang their way through it, and back to Kingsport.

Growing up, Amba watched their small town pass through a difficult, destabilizing period. For a time, they tried to keep that reality at arm’s length, only later recognizing how thin the line was between themselves and those who suffered most. They grew a greater sense of grace and understanding for these people. Each song on Eyes Full, which is entirely character-driven — from the kid benumbed by medication (‘OCD’) to the weed-eating man who plays hide-and-seek with God (‘Weed Eating’) — is an act of love for them. “They all deserve to go to heaven,” says Amba, rejecting the punitive theology that surrounded them in the Bible Belt. Songs about damnation never made sense to them; what interested them instead was mercy, and the possibility of redemption.

The record was tracked live at Drop of Sun Studios in Asheville, an hour from Amba’s hometown, with no overdubs. Their best friend Kevin Hyland plays electric guitar, while drummer Jim White, whom Amba met on the streets of New York years earlier and now calls the closest thing they’ve had to a family, plays drums. The three musicians rehearsed relentlessly, playing together all day, every day, “until we got real tight,” says Amba. White and Amba play interlocked, while Amba and Hyland weave around one another, Amba playing rhythm and Hyland playing lead; currents of life running alongside one another.

The music itself sounds moonshine-drunk, Amba’s voice snarling and fiery, their guitar slowing then gathering speed like a steam train edging off the tracks. They veer suddenly between abrasion and gentleness. One moment they’re all teeth, the next, they go soft and still. On ‘Emahoy,’ they play a drowsy and velveted guitar line while singing with unguarded tenderness about the sadness dancing in their soul.

Standout ‘Southern Soil’ is the song with the most stakes, its eyes the most difficult for Amba to look into. “When that song finally came to me, I was like oh shit. I could have cried.” It was a feeling Amba had been trying to get to the bottom of their entire life: the reason their heart would swell at a show only to deflate again once they returned to the hotel room. Writing it filled and emptied them at once. Addressed to the people who first taught them what could and couldn’t be said, it confronts the silence that shaped much of their young life. The lyric “you don’t have to keep a secret,” the most hard-fought of them all, is Amba’s triumph over pain with grace. They consider it one of the greatest achievements of their life.

Eyes Full is a lesson in how to look and to stay open to the universe, and to all the hearts that inhabit it. Through Amba’s gaze, the album restores spirit and dignity to those who are often overlooked or dispossessed. Across Eyes Full, Amba sings for people who rarely see themselves reflected back with tenderness. The music carries an ache for communities pushed to the margins, for those growing numb or losing touch with their innermost sense of self. These songs insist on sustained attention: on looking closely, meeting another person’s gaze, and refusing to look away.

Support comes from hot springs. hot springs is the musical project of Swansea-born, Manchester-based songwriter Rachel Rimmer. With alternative-folk intimacy and art-pop mischief, hot springs invites us into a world where infectious rhythms, oddball riffs, and hypnotic vocals merge into something equal parts soothing and strange. hot springs’ self-titled EP was released in 2026.

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When: 7pm on Saturday 14 November 2026
Where: Band on the Wall, 26 Swan Street, Manchester M4 5JZ

We’re excited to be welcoming The Sheepdogs back to Band on the Wall!

The Sheepdogs are Canada’s leaders in rock ’n’ roll entertainment. Four-time JUNO Award winners from Saskatoon, with multiple Gold and Platinum records to their name, they blend killer harmonies, dual-guitar wizardry, and a stage presence that turns audiences into true believers.

The Sheepdogs deliver the real goods: rock music that’s loud, loose, and full of soul. They’ve taken their unmistakable sound from bars and roadhouses to festival fields and arenas around the world, earning a well-deserved reputation as one of the most electrifying live bands today.

With 13 releases — including the recent companion EPs Paradise Alone and Hell Together — the band continues to prove that the spirit of classic rock will never die. Now, thanks to their own label, Right On Records, they are masters of their own destiny. Their new single, Nobody But You, is the first taste of new music to come and proof that The Sheepdogs are charging full steam ahead into 2026 and beyond.

Tour support comes from Steve Hill. One of Canada’s most electrifying guitarists, Steve Hill returns to the European stage with a reputation built on over 30 years of relentless touring, explosive performances, and 13 albums. Born in Trois-Rivières, Quebec, he’s been active on the music scene since the early nineties and released his first album in 1997. His powerful guitar playing has earned him acclaim on both sides of the Atlantic. Over his career, he has performed over 3,000 concerts. In 2012, he took his craft to another level by embracing the one-man-band format. He plays and sings standing up, working the kick and snare with his feet while a modified Flying V handles guitar and bass at once. A drumstick mounted on the headstock hits a cymbal and hi-hats. Close your eyes and you’d swear you were hearing a power trio. You just have to see it to believe it.

His acclaimed Solo Recordings trilogy cemented his reputation as a formidable live performer, with Solo Recordings Volume 2 winning a JUNO Award and seven Maple Blues Awards. His spectacular one-man-band show has drawn international praise, with Germany’s Guitar Magazine hailing him as ‘the most spectacular one-man band on the planet’. Steve always delivers an intense, high-energy show driven by exceptional guitar playing. A seasoned performer who continues to reinvent his own take on Blues Rock, he proves every night that one musician can sound like an entire band. His latest album, Hanging on a String, recorded live off the floor in just five days at LA’s Studio 606 and produced by 10-time Grammy winner Darrell Thorp is a fine example of what to expect at his concerts.

This show is for ages 10+. Under 16s must be accompanied by an adult.

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When: 7.30pm on Friday 27 November 2026
Where: Gullivers, 109 Oldham Street, Manchester, M4 1LW

We’re delighted to be helping Adam Hopper & the Wimps launch their debut album!

Forged in the box room of a Ladybarn terrace house and honed in the pub back rooms, rehearsal spaces and grassroots venues of the North of England, Adam Hopper & the Wimps provide anti-folk tinged songwriting, equal parts heartwarming and heartbreaking. 2026 sees them release their debut album and head out on tour.

Steadily building on a catalogue rich in disarmingly honest, open-hearted lyricism, the band uses its debut long player Adam Hopper & the Wimps to set out the stall for what it has become over years of refinement on the stage and in the practice room. A tight band of tightly knit friends using their music to unravel the complexities of relationships, vulnerability, and the reconciliation of longing versus reality. Plaintive and grounded folk swells into psychedelic crescendo; Americana-inflected lead guitar parts act as expansive foil for wry, almost cast-off observations; admissions of gnawing insecurities to Go-betweens jangle bubbles over into full-band wig outs.

Adam Hopper & the Wimps follows on the heels of 2025’s EP Remember To Have Fun, which saw the band secure a live session on Riley and Coe’s BBC 6 Music show. Since then Hopper has moved across the Pennines to Sheffield to immerse himself in the thriving DIY scene there, making use of renowned venue and recording studio Delicious Clam, where the record was recorded.

Main support comes from All Girls Arson Club. All Girls Arson Club are a two-piece indie-pop, garage-rock band that were born in a basement in Sheffield and are based in big city Manchester. AGAC write songs for fans of daytime tv, notes app monologues and long, introspective baths. Once hailed as ‘Manchester’s most honest band’ by a man in a crowd, and deemed as ‘too much comedy, not enough music’ by another man in a crowd, AGAC claim to remember approximately 76% of every song they’ve ever written and promise to serve twee pop rock bops to bob your head to.

Opening the show are DDHP. DDHP are a lo-fi indie band from Manchester who all think Matt was the most important member of Weezer.

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When: 7.30pm on Saturday 28 November 2026
Where: Kamera at Lloyd & Platt, 617 Wilbraham Road, Chorlton, Manchester, M219AN

We’re delighted to welcome Skep Wax Records’ Swansea Sound to Kamera – with Committee of Sleep!

Swansea Sound are Hue Williams (The Pooh Sticks), Amelia Fletcher and Rob Pursey (Talulah Gosh, Heavenly, The Catenary Wires), Bob Collins (The Dentists), Ian Button (Death in Vegas, Railcard). Formed during lockdown, they recorded three singles without actually meeting each other.

Corporate Indie Band appeared as a cassette on specialist label Lavender Sweep. It got a lot of airplay, and the next releases were on 7-inch vinyl, including Indies Of the World, which made it into the UK vinyl Top 10.  A debut album, Live At The Rum Puncheon, was released in 2021; Twentieth Century followed in 2023. Both albums won considerable critical acclaim.

Swansea Sound have recorded live sessions for Riley & Coe (BBC 6 Music), John Kennedy (Radio X) and Evan Davies (WFMU, New York). They were selected by Stewart Lee for his ‘Legends Of Indie’ series of gigs in 2025 and are regular performers at the Laugharne Festival in Wales. They recently two tours of the US with Skep Wax label-mates Heavenly.

The band will be playing a series of UK live dates in November and December to promote their third album.

‘The glorious sounds of C86 brought into the now’ – Thomas Patterson, Shindig

‘Close to an indie pop miracle’ – Tim Sendra, All Music

‘An essential broadcast from the forefront of the indiepop resistance’ – Andy Brown, Louder than War

‘The C86 Crass’ – Stewart Lee

Support comes from Committee of Sleep. Committee of Sleep are a four-piece lo-fi pop band from the North of the UK, crafting textured, emotionally driven songs that drift between shoegaze, bedroom pop, and DIY experimentation. Fronted by songwriter Olly Lightfoot, whose 2022 cancer diagnosis informs much of the band’s lyrical landscape, their music explores themes of love, loss, renewal, and quiet gratitude. Blending nylon-string guitars, cascading drums, warm basslines, and hazy harmonics, the band create a sound that feels intimate, dreamlike, and deeply human.

Their debut EP Ruling Overturned arrives in April 2026, led by the single The Planet of Chocolate Bars, a lucid, reflective track recorded in a rural cottage over New Year’s 2025. Committee of Sleep have shared stages with Yowl, Legss, HighSchool, Cruush, Constant Smiles, Pebbeldash, Midnight Rodeo and Bloodworm. Sitting somewhere between Duster, Bedhead, Elliot Smith, Slowdive, Pixies and Guided By Voices, the band continue to build a world of introspective, DIY-spirited indie built on honesty and atmosphere.

Kamera is the brand new venue upstairs at Lloyd & Platt (formerly The Lloyd’s) in Chorlton – by the team behind the Castle Hotel and Gullivers. The pub downstairs offers Indian street food by Chapati Cafe.

Book tickets now.

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When: 7.30pm on Monday 30 October 2026
Where: Hallé at St Michael’s, 36-38 George Leigh Street, Ancoats, Manchester M4 5DG

We’re delighted to be promoting Jack Wyllie for the first time!

Portico Quartet co-founder Jack Wyllie presents the first project under his own name and introduces a new band featuring Hinako Omori on keyboards, Dobrawa Czocher on cello, and drummer Jesse Barrett (Mammal Hands).

A saxophonist, flautist and composer, best known for his work with Portico Quartet and with Hania Rani on her piano concerto Non Fiction, Wyllie’s distinctive voice on flute, soprano and tenor saxophones marks him out as a key figure in contemporary music. A keen collaborator whose projects have drawn on ambient, fourth-world, electronica and modern classical influences, Eternal Spring is the first recording under his own name.

Shimmering, rippling, budding and blossoming, though still appealingly familiar, Eternal Spring draws inspiration from both Wyllie’s love of verdant nature but also the idea of a constant, flickering sense of hope and his compositions balance elevating melodies and cyclical rhythms while unashamedly reaching for something hopeful and beautiful. With Eternal Spring, Wyllie reveals the magic all around us by removing us from our everyday circumstances.

This concert takes place in Hallé at St Michael’s – a former Roman Catholic church, which was founded in 1859 and became the heart of the Little Italy Community in Ancoats.

This is a 14+ show. Under 16s must be accompanied by an adult.

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When: 7.30pm on Thursday 3 December 2026
Where: YES Basement, 38 Charles Street, Manchester, M1 7DB

We’re excited to help Rory Green launch his new album on Gondwana Records!

Presenting Gondwana Records‘ latest signing, Rory Green, a Manchester-based composer, guitarist and bandleader whose debut album Moments Brighter Than The Sun brings us music of remarkable warmth, depth and togetherness. Drawing on childhood memories spanning Ghana and Northern England mill towns, his richly textured ensemble sound transforms personal stories into expansive, deeply emotive compositions.

Co-produced by Matthew Halsall, Moments Brighter Than The Sun brings together influences, including Nils Frahm, Fabiano do Nascimento and even label mates Jasmine Myra and Portico Quartet. It’s a harmonic exercise in togetherness from an artist who could otherwise have simply organised the music around his spectacular guitar playing.

This atmospheric debut combines evocative contemporary ambient, jazz and folk traditions, where electronic elements infuse improvised, conversational music performed by an acoustic ensemble made up of long-time friends. It’s a supremely confident approach.

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When: 7pm on Friday 4 December 2026
Where: YES Pink Room, 38 Charles Street, Manchester, M1 7DB

We’re excited to welcome Amelia Coburn back to YES!

Amelia Coburn has a knack for making the unusual sound timeless. Her honest, occasionally hilarious and quintessentially north-eastern persona disarms and beguiles in equal measure.

Drawing inspiration from gothic literature and the shadowy allure of film noir, there is a darkness at the heart of many of her songs, populated by vivid characters and nocturnal creatures that inhabit the liminal space ‘between the moon and the milkman’.

Her Bill Ryder-Jones-produced debut album gained a cult following, with national radio play across BBC radios 2, 3, 4, 5 and 6, as well as tastemaker support from Mojo, The Line of Best Fit, Shindig! Magazine, The Arts Desk, Clash, Americana UK, KLOF Mag, Far Out and many more.

A breakthrough 2025 saw her hailed as ‘one to watch’ by Louder Than War and Drowned In Sound, as well as spellbinding sets at SxSW in Texas and feature on Paul Weller’s latest album Find El Dorado.

Tour supports with the likes of The Levellers, Rianne Downey, Hamish Hawk, Stornoway, Rumer and Katherine Priddy followed – not to mention her own sold-out Royal Albert Hall Elgar Room show and mesmerising performances at some of the UK’s best loved boutique festivals.

A sold-out solo headline UK tour in early 2026 solidified her burgeoning reputation, with slots alongside Paul Weller, Suzanne Vega and The Proclaimers showcasing Amelia’s sound to ever increasing audiences.

With a new album around the corner, Amelia embarks on her biggest full band headline shows to date.

‘In a cynical, meta-obsessed world, her music is wide-eyed, guileless and fresh’ – The Arts Desk (Album of the Year)

‘A world full of darkness and light and soundtracked by magic and melancholy’ – Louder Than War

Special guest is Alice Faye. From Glasgow’s rich music scene, Alice Faye has emerged as a truly distinctive voice. Her songs take you on a journey, blending wild-eyed drama with poignant intimacy to form a distinctive narrative that captivates audiences. Alice’s artistry is defined by bold, fearless choices that expand her creative horizons. She draws on classic 70s pop, 60s folk, and country traditions, enriching them with the dramatic flair of chanson icons like Piaf and Brel. Her music carries a confessional quality reminiscent of Rufus Wainwright, and her striking, unique vocal prowess – paired with unwavering musical confidence – creates a vivid, technicolor landscape that enthralls listeners.

Her journey so far includes the release of her acclaimed piano-based EP Deadbeat, which delves into themes of self-discovery and personal growth. The EP received widespread praise, including airplay on BBC Radio 2 and BBC Radio Scotland, alongside features in The List and The Skinny. Alice has graced major festival stages including Belladrum, Doune the Rabbit Hole, Eden Festival, Fyne Fest, and Celtic Connections. She has toured the UK with Phillip Seth Campbell and performed at renowned jazz festivals such as Aberdeen Jazz Festival and Dundee Jazz Festival, sharing bills with legendary acts like Rufus Wainwright, Nick Lowe, and BMX Bandits.

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